Delhi, a Postmodern Vessel of Consumerism: A Critical Study of Maneesh Sharma’s Band Baja Barat

Authors

  • Priyadarshini Yadav Author

Abstract

Priyadarshini Yadav in “Delhi, a Postmodern Vessel of Consumerism: A Critical Study of Maneesh Sharma’s Band Baja Barat” engages in a comprehensive study of the spatio-temporal dynamics of the film. Focussing on the wedding industry – around which the plot revolves – the paper foregrounds the consumerist desires for material gain, and exploitation. The paper reads the shift in the value system of the society has changed the spatial and temporal structures of Delhi, specifically.

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Published

2026-02-23

Issue

Vol. 5 No. 1 (2016): Indraprastha -- VOL. V & VI, 2016-17

Section

Articles

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Copyright (c) 2026 Priyadarshini Yadav (Author)

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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