Claude Chabrol’s Madame Bovary: An Inflected Re-writing or a Textual Infidelity
Abstract
Kalplata’s “Claude Chabrol’s Madame Bovary: An Inflected Re-writing or a Textual Infidelity” studies the complexities of transfer of literature into film. There seems to be a fine line between re-writing and textual infidelity, and this paper attempts to comprehend the nuances of such a process with the help of Claude Chabrol’s adaptation of Flaubert’s novel Madame Bovary.
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